1. Mitchell writes, "representation is always of something, or someone, by something or someone, to someone. It seems that only the third angle of representation need be a person" (p. 12). For each of these images, who or what is being represented? How does authorship influence the meaning of the representation? What about audience?
2. What network of signs are invoked by each image, and are these links explicit? What codes are being used, and what agreed meanings allow us to understand the images?
3. Mitchell distinguishes between code and convention. What conventions are used in each image, and are these conventions easily distinguishable from the codes used to decipher them?
4. Postmodernism is brought up in the following quote, "Postmodern culture is often characterized as an era of "hyper-representation," in which abstract, formalist painting has been replaced by experiments like photorealism, and reality itself begins to be experienced as an endless network of representations." Do these images speak to postmodern culture? (think of the image of a cross, or the American flag for example)
5. What "taxes" or costs are made by the representations in these images? (see above for image ideas or think of others)