I was struck with the discussion we have after Brett's presentation about how images cannot show motion, as though they are stuck in time more or less. Conversely, I charged how because of the texture and variations that occur with a painting it has a much better chance of cpaturing motion. And it makes perfect sense. However, is there another way to look at how images do in fact capture motion?
My paper is focused a lot on performance and visuality and there is one article I have read by Chesboro (citation to follow, I forgot it in my bag today) and how he charges images can in fact be put into motion. In the confines of my paper, I use it to illustrate more so on how it can put ideas, or ideology into motion.
If I were to use an example from this class, it would be the weeks we spent on publics. More specifically, on iconic photos and publics. What I mean when I use Chesboro's terms of motion is that it makes certain ideas come to life. If we look at something similar to The Flag Raising on Iwo Jima, we talk about these concepts of civic identity being conjured up within the people that view the image. It brings something to life within us, and hopefully, into practice in our real life. So, in this repsect, I guess we can possibly look at how while technically speaking a photo only captures what is still, it can put something into motion. Think call to action, maybe?
I believe if we look at how iconic imagery can conjure up identity, that in itself is showing some sort of motion, a call into being, a reason to take something away from our view of the image and put it somewhere productive, whether that be in physical action or thoughtful reflection. But at the very least, and like all images in general, they are not just blank stares combined with our own blank stares back. There is always something inherently moving when it comes to images, either within the ideas they are bringing to life through means of representation, or through us, the viewer when we think and talk about them. In addition, they feed off one another. How is that not motion?
So, can the image be in motion? Or is it my perspective that puts it in motion? Or, when viewed technically, we can never argue it is in motion? It's very point is to capture. Do we have to appreciate in the defferent spheres for both arguements to have their validity?